Ah! CARMEN Farewell, goodbye forever! Oh! the striking Moment of silence during which Carmen starts humming in the most impertinent way while looking at the officer. It will rain blows. MORALS CARMEN MERCDS CARMEN Laughing again at the sergeant's sentence. Ah! furious MORALES Watch over you! Lillas Pastia, hello! Escamillo! ZUNIGA to Carmen New: Save your favorite arias, . Stop! PASTIA And you will see, Lord, These Andalusians scare me. It will cost you life, Never! It is Micala. This Saturday's broadcast will be performance no. The Dancare, the Remendado and the gypsies appear on all sides. And the downward guard The program with the details! ZUNIGA No, no, no I will not leave! CARMEN JOS She tears off the cassie flower from her bodice and throws it to Don Jose. No! In this march the alcade preceded and followed by the alguazils is very slow at the bottom. If done, if it is it! And find the lover. It's impossible Again! ESCAMILLO Ah! JOS to Carmen A good old woman? Bravo! Vivat! Carmen's hands are tied, she is made to sit on a stool in front of the guardhouse. It will be the last. What did she say? And especially the intoxicating thing: JOS CARMEN Shut up! I prayed miss to follow me She first made a movement like to resist then she went f Georges Bizet Carmen Opera in four acts Libretto by Henri Meilhac and Ludovic Halvy after Prosper Mrime's novel First performances: March 3, 1875 - Paris, Thtre National de l'Opra-Comique with Clestine Galli-Mari as Carmen November 11, 1959 - Paris, Thtre National de l'Opra with Jane Rhodes as Carmen Georges Bizet Carmen Libretto page 2/57 Freedom! Down! THE DANCARE Don Jos very moved leaves it to do. CARMEN MICALA Yes, in an hour after the call. JOS On my soul, As for the customs officer it's our business. ZUNIGA Viewing. You can throw it now it will do nothing. You tell me to follow her? And I'm right I was insulted because I'm not from this country of rogues, merchants rotten oranges, and these naughty people came up against me because I told them that all their Jacques of Seville with their knives would not scare a guy from home with his blue beret and his maquila. I know your name, Carmen Speak! THE DANCARE No 17 - Duo Watch over you! What I was given, In love that's not a reason. Don Jos devours her eyes. And this kiss that I give you, O Carmen! I was taken by gypsies to Seville. The movement of passers-by that had ceased during the scene of Micala resumed with some animation. And on this strange music CARMEN CHILDREN and CHOIR MICALA Oranges to nibble! To do what? Really? You are definitely staying? From his son Take and tie these two pretty hands. looking at his hat No, no, no I will not leave! CARMEN Whether for this reason or for another, I have to be careful but, I repeat, it is getting late. JOS Funny people! same game PASTIA We come here to watch the return; Tell us who will love us. ZUNIGA For a good son, Because I am doomed! Right away, Miss Carmencita. When I love you, my faith, I do not know. ZUNIGA I had sent you a file and a piece of gold with the file it was necessary to saw the biggest bar of your prison with the gold coin it was necessary, at the first dealer to come, change your uniform for a bourgeois dress. JOS Gold as long as I can hold, Carmen, I love you! MERCEDES. You have a decided hand. Ah! Him, he is at odds Go home and leave. She gets up suddenly and begins to sing. All this, is not it? A kiss for his son! He rushes, he enters, he knocks, a horse rolls To me! THE REMENDADO FOURTH ACT And I inherit. Yes, ugly place, is not it, and not reassuring at all? MICALA Behind the children, Lieutenant Zuniga and Brigadier Don Jos, then the dragons with their spears. You're welcome; but really, comrade, Ta ta ta, I'll be late, elevating You will not get anything, not anything from me, JOS Your pin, pin of my soul MICALA Why must destiny T'emouchant with an arm. Nothing! Who? Let's see! JOS Leave me, THE DANCARE And? This soldier who was in prison? Hearing the cries of Victory, victory, Carmen let out an Ah! Smoke CARMEN Browse through our libretto list with all libretti on Opera-Arias.com, ordered by composer in alphabetical order. The soldiers leave the station. She's waiting for someone and that someone is not coming. We go before us, without worrying about the torrent, Well! My mother defends me, Well, you'll tell him: JOS CARMEN CIGARETERS and YOUNG PEOPLE What is that? At this moment the cigarieres appear, the cigarette on the lips. MICALA O my Carmen, leave me looking at Don Jose, who is putting back his bagpiper and fastening the belt with his sword. Librettoen er af Henri Meilhac og Ludovic Halvy, baseret p en novelle af Prosper Mrime.Frsteopfrelsen fandt sted i Paris 3. marts 1875.Teksten er fransk. JOS No, I do not want to listen to you anymore What effrontery! Love! The libretto of the opera Carmen by the composer Georges Bizet in French. Between her and you, everything is over. Then him for both of them death. Bravo! No, gentlemen, no, we stay here. laughing It's smoke. Well, be it! I adore you! GUIDE the voice much closer How beautiful is the wandering life ZUNIGA FIRST ACT Take care No! Vivat! Eusebio He brings Micala. Tell us who will betray us, JOS It went up, up, up! He will be there when the rising guard Follow us and you'll do it, you'll do it Glory to courage. No! I say alas that I answer for myself, ZUNIGA Do not stay here. JOS You tell me to follow her You understand? ZUNIGA Protect me! It's Carmencita! I like it, yes, my dear Marking without fault, CARMEN Comfortable. preventing him from screaming I am in love. And Zuniga looks at Carmen; The latter, after a glance at Don Josee and a very slight shrug, became impassive again. I'm not done with their manners, always taunting never a word of reason He hesitates, Carmen listens and leans on the rocks. And then, by the way, No, by the blood, you will not go, Yes, I'm a bohemian, but you will not do less what I ask you You'll do it because you love me You love me and you will follow me. in the circus Announcing happiness. No 22 - Air From the future give us news; Seoras and Caballeros. A donkey that pleased him. CARMEN One of these women is near Carmen. Ah, let me save you And drink of Manzanilla. JOS Toreador, toreador! SECOND GROUP No, not not. And I will force you The circus is full, it's a holiday, No! Let us go ahead. Or let me go. CARMEN This one raises the hand and wants to throw on the woman. My officer is not a captain, Gretry, Andr . Remendado! No 8 - Chorus When it comes to deception, He is gallant! It will never be worth my castanets Where are they? The sound of the bugles is weakening. Finally appears Escamillo, having close to him radiant Carmen and in a suit ACT ONE Prelude No. CARMEN It must be curious. Yes, Don Jos. Down! The stuffs floated in the wind: Do you love him? Toreador, on guard, CHOIR - After a moment of indecision, Jos moves away and goes to lie on the rocks. Yes, if you have to die, Cigarette. JOS ESCAMILLO Bravo! For fun they have fights. Ah! I will not leave. CARMEN Again! Who's there? Your pin, really! Near the walls of Seville. JOS Henri Meilhac, Ludovic Halevy. I will certainly say it. Carmen Opera Written by the French composer Georges Bizet, with the libretto produced by Henri Meilhac and Ludovic Halevy, the Carmen opera premiered on 3rd March 1875. CARMEN The bull, harassed CHOIR No 10 - Sguedille and duo FRASQUITA, MERCEDES and CARMEN CARMEN Here is the order, leave and make good custody But I did not take advantage of it, I loved playing on the palm too much One day, when I had won, a guy from Alava wanted to quarrel with me; I still had the advantage, but it forced me to leave the country. ZUNIGA Full of fury, he runs! CARMEN He leaves! She looks to the right, to the left. CARMEN loosening the rope that holds Carmen's hands The Dancare and the Remendado have just arrived they have to talk to you about your business, the affairs of Egypt. CARMEN Distinguished officers, thank you. Hola! Two lackeys will follow behind My God! Carmen, good advice, Carmen! to the soldiers This was an actual place, which at its height employed 6000 women as cigarette makers. See the picadors! THE THREE OF THEM Come on! Shut up, I told you not to talk to me. Put yourself there, Don Jos, I start. Between Carmen. libretto, (Italian: "booklet") plural librettos or libretti, text of an opera, operetta, or other kind of musical theatre. Deception, thievery, Me, I come to get you. MICALA This deserter, this beautiful soldier she loves In vain will you mix, love is a rebellious bird ESCAMILLO Would you be jealous, by chance? It is useless, the cards are sincere The key ring will tell you what he thinks. No, you do not love me, no! My God! Either, but at least breathe a little. It's Manuelita! FRASQUITA Repeat twenty times Micaela! Look at this little girl You will protect me, Lord. standing in front of her rushing CARMEN Either, we will pay. The bell rang, us, workers Again! Zuniga draws halfway. JOS We arrive from Gibraltar, we have arranged, with a skipper, the embarkation of English goods. I will have warned you at least. Personnages: In L, the roles of Andrs, Le Bohmien, and La Marchande des Oranges are not listed, although Andrs is cited among those present in the opening of Act 4 and the two hawkers' lines are included as solos. He will be there when the rising guard ESCAMILLO, toreador (baritone) It's a dragon, my faith. MORALES All our comrades have been warned they are here, Where are my castanets? Slowly She was born My beloved Carmen! I do not see anyone. Well? Ah! I open myself and go in. By shaking his banderillas, FRASQUITA ZUNIGA On the square At this moment five or six women on the right succeed in forcing the line of the sentries and rush on the stage shouting: Yes, yes, it is it! CARMEN And especially the intoxicating thing: All What are you looking at, what are you thinking? The bird flies away, JOS throwing themselves between them Carmen is sitting watching the gypsy girls dance, the lieutenant speaks to her low, but she pays no attention to him. 982. I saw miss Love is Bohemian child, In his arms, laugh at me. Let us go forward! For your will, imitating the smiling mines of the lady in Don Jos THE REMENDADO And you will tell him that his mother The scene is interrupted by a chorus sung in the wings. Officers and gypsies scrape guitar in a corner of the tavern and two gypsies in the middle of the stage dance. CHORUS OF CIGARS He never, never knew a law, FRASQUITA Ah! Love! Carmen's loves From U.S? CARMEN Carmen, instead of answering, begins to hum. Tra la la la la la la Here are some castanets. SECOND GROUP OF WOMEN Struck right in the heart! What is it? And that love is waiting for you. ALL Toreador, on guard! We start taking the bales. If you love me, Carmen, Sheldon Harnick, the lyricist who, with the composer Jerry Bock, wrote some of Broadway's most memorable musicals, including the Tony Award-winning "Fiddler on the Roof" and "Fiorello . CARMEN Do you know their names to these customs officers? Carmen herself dances and comes, with the last notes of the orchestra, falling panting on a bench in the tavern. The Metropolitan Opera's first Carmen was performed in 1884. On the left, in the foreground, the guardhouse. hidden, but it's all three of you that we need you're going with us Two clarions and two fifes first. Coquette Mine In the square, etc. Let yourself be overthrown the rest is watching me! lord alcade! And to whom, a fortnight ago, the jailer handed you a piece of bread in which there was a piece of gold and a file? Vivat! It's good, it's good, no more quarrel, Look! THE REMENDADO and THE DANCARE Carmen! He goes to the window. And that love is waiting for you The neighborhood! snapping his castanets The place is filled with young people who come to stand on the passage of cigarires. Diamonds precious stones. Calixto Bieito. CHORUS OF KIDS JOS FIRST GROUP Some sitting and smoking, others leaning on the balustrade of the gallery. MICALA On the way I will push you, I will push you I too am in love and that does not prevent me from making myself useful. Certainly, As much as you. There was Eusebio, Perez and Bartolom. Are you the devil, Carmen? And for hours, JOS Maybe never, maybe tomorrow; All around you, fast, fast, CARMEN JOS - A moment of silence. MICALA You do not depend on anyone, ALL Yes he is dying! His soul remains inflexible, Confession! JOS Carmen looks up and looks at Don Jose. THE DANCARE Not even a lieutenant, Take, take, miss. No 26 - Walking and choir Merchants of water, oranges, fans etc. Square! Down! Victory! After your new lover. And yours too if you talk to me again to separate and situate do not lead you with me as I want you to behave Habanera (aria) Habanera (" [music or dance] of Havana ") is the popular name for " L'amour est un oiseau rebelle " ( French pronunciation: [lamu t wazo bl]; "Love is a rebellious bird"), an aria from Georges Bizet 's 1875 opra comique Carmen. ESCAMILLO apart ALL The quadrille of the bullfighters, I pay my debts, I pay my debts Jos, you'll break it. Hey gently! FRASQUITA I'm not easy to scare. Viva! ESCAMILLO Battled the wing and flew away Funny! JOS Talking dialogue You forbid me to speak, I will not speak again. Libretto Mara del Carmen. waking up as if she did not remember MERCDS - During the last replicas of Silence. I could love! My secret I keep it and I keep it well: What to take a look at me ZUNIGA MICALA CARMEN Ah! We must go My job is to hit the bull, ZUNIGA MORALES But this time, do not displease yourself, Bite the dust they pull the officer on their side Perez I will give it to you. What? Well, they are four or five hundred who roll cigars in a big room Almanza Dragon! Introduction. And we will follow you, brunettes cigarires, I'm going to see this woman up close It says then, you will leave. CARMEN Protect me! after a moment of hesitation For the call! And said to his comrade: As for you what will become of me? CARMEN Certainly if there are witches, this girl is one. Valurile Dunarii. Hm! ALL THE WOMEN He goes running to the door At the moment he gets there, we hit Don Jos stops. The old gentleman would like to continue his walk, but the young lady does everything she can to keep him in the square. Yes for the moment. - The boys in troop take back behind the bugles and fife of the guard down the place they occupied behind the drums and Carmen, my love, you will come, ESCAMILLO JOS ESCAMILLO I do not understand very well. You promise! Do not be afraid, Dancare. Farewell! The singing dance was getting married What good is all this? CARMEN The officer of the rising guard, meanwhile, silently passes the inspection of his men. Like little soldiers, My mother, I see her! blowing the door. Cigarettes! That she would buy without fail That's it, I'll invite him. Singers | This man who is acclaimed, FIRST GROUP MORALES He enters and sees Don Jose. ZUNIGA Talking dialogue ESCAMILLO Come on! Carmen, tell us what day you will love us! Passers-by on the right form a ZUNIGA ZUNIGA Pastia gestures to the gypsies to refuse. New York: Avenel Books, 1980. . And that love is waiting for you. ESCAMILLO ALL MICALA And think well, yes think fighting SECOND GROUP Farewell! JOS Friend, follow us in the countryside, The libretto was written by Henri Meilhac and Ludovic Halvy, based on the novella of the same title by Prosper Mrime. JOS to Carmen But no! JOS For your dear person The soldiers of the station will take their spears and line up in front of the guardhouse. MICALA JOS Mingle! Answer us! Here, grab and bring us candied fruits; bring us sweets, bring us oranges, bring us Manzanilla bring us all you have, everything, everything JOS Do you understand? These are not songs that I ask you, it's an answer. ZUNIGA Mounted, You want me? Yes we humbly admit it: They put me in prison, they took away my rank, but I do not care. stop him, but when the soldiers arrived, Jos was no longer there During this first chorus entered the two officers of the second act, having in arms the two gypsies Mercedes and Frasquita. stopping THE DANCARE Between us everything is finished. CARMEN Resume the fight. Railleuse to her ordinary, Smoke! Enter the Dancare and the Remendado. at four o'clock Elizondo, Etchalar. What superfluous words! CARMEN ZUNIGA It's Carmencita! CARMEN Smiling. I'm just pointing out that my hostel should be closed for ten minutes CARMEN Arriving at the entrance to the bridge on the right, Carmen pushes Jose who lets himself overthrow. to Carmen Come with us to the mountains, etc. You will hear me! CARMEN They are a lot? Smoke! My God, gentlemen He's seeing his village again! resigned and followed me, sweet as a sheep! I make a chain with brass wire, a chain to attach my lapel pin. The reason! I entrust to you the guard of the goods that we do not take away You will place yourself there, on this height you will be there perfectly to see if we are followed in the case where you would see somebody one, I allow you to spend your anger on the indiscreet. When it comes to deception, if it could! Not! Carmen (Schirmer's Collection of Opera Librettos) Paperback - November 1, 1986 by H. Meilhac (Narrator), L. Halevy (Narrator), Ruth Martin (Translator), 18 ratings 4.1 on Goodreads 206 ratings See all formats and editions Paperback For you to go away, infamous! I saw several times in the cards that we had to finish together. serious I'll come back, it's more cautious. Farewell, goodbye for ever. He takes her arm Who is dividing your lot to mine? At home. Hola! JOS Some wine! my friend, what are you doing here? ZUNIGA He is not a brigadier in our company. Down! getting up JOS Will replace the downward guard. CARMEN FRASQUITA The young man approaches the old gentleman and the young lady, greets and exchanges a few words in a low voice, etc. CARMEN Listen! Take it by the whirlpool! But I do not want to be afraid, She says she's in love! MICALA JOS recognizing Micala Yes! PASTIA MORALES, sergeant (baritone) THE DANCARUS, THE REMENDADO, FRASQUITA and MERCEDES THE DANCARE CARMEN One two marking the pace. Ah well! And Bartolome JOS No 13 - Chorus Will replace the downward guard. ZUNIGA On the way then Where are you going, JOS with us dog and wolf are not long CARMEN Basque drums went their train. CHOIR Another quadrille moves forward, So he is not here. Over there, you would follow me there, JOS JOS What is it? interrupting Beautiful officer, beautiful officer, love CARMEN - Escamillo is near Carmen. MICALA DANCARE and REMENDADO CHILDREN and CHOIR Yes! ALL CHOIR No 11 - Final fight; Escamillo very calm only seeks to defend himself. From me you will tell him, JOS Tra la la la la la la The descending guard passes in front of the rising guard. FRASQUITA CARMEN FIRST GROUP We escape, we cross the gates; So that you can run Tra la la la la, Tra la la la la la. What is this big building? Ripping off Carmen's arms. No. What does that mean, these ways? Love! There you go, If done, you will leave. Harass the flanks of the bulls. CARMEN Carmen, opera in four acts by French composer Georges Bizet with a libretto in French by Henri Meilhac and Ludovic Halvy that premiered on March 3, 1875. CARMEN Yes, I will speak; The despair! ALL Do not be afraid, Dancare, we answer for your three customs officers MICALA Scenografi. Vivat Escamillo! Who wants my soul she is to take. Thank you, soldiers. A SOLDIER Smuggling will pass! Why would you like it? My lieutenant heard what Morals was saying to me ESCAMILLO Talking dialogue Monte scented. MERCEDES and FRASQUITA You are a real canary of dress and character come on, do not be angry why are you jealous? JOS Do you want, the beautiful child, Ardent, crazy, feverish, Funny people! Here they are! Stage play. In prison, my poor child Characters: At the back of the yard, I'm dying of terror ZUNIGA You will end when I'm gone Well, I was right not to trust Lillas Pastia's information; we did not find his sentry, but on the other hand we saw three customs officers who kept the breach and who kept it well, I assure you. ZUNIGA No! Come on, go ahead. CARMEN More lively then and faster, just now for these officers Well, if you want, I'll dance for you now, for you alone. For country the universe; FRASQUITA, MERCEDES and CARMEN Yes, we need you! Miss Carmencita? Opra-comique in Four Acts. Love is waiting for you! Come on! But whether I live or die It's the rising guard coming. JOS Right here? Ah! CARMEN THE REMENDADO [b] Se estren en la Opra-Comique de Pars el 3 de marzo de 1875, donde su ruptura con las convenciones conmocion y escandaliz a sus primeras audiencias, y recibi valoraciones negativas de la . For us everything is there. ZUNIGA Well? THE DANCARE And you think I'll obey you? CARMEN Viva! very calm Look! But they are not to my liking; Your mother, alas, your mother is dying, I do not want to hear anything And in the mountains he trains me. Frasquita! CARMEN Here they are, here is the quadrille, And watch over you! GUIDE In the distance, far away, there are bugles that sound like retreat. JOS Here comes an old husband, Victory! He thinks he hears the bugles, but Carmen's castanets slam loudly. But certainly, I'm jealous MICALA CARMEN ESCAMILLO I do not threaten, I implore, I beg; Be careful to take a wrong step. ZUNIGA Ah! ESCAMILLO ESCAMILLO ESCAMILLO Again! I love him, I love him, and before death, JOS If you do not love me, I love you; Because the lady took the ticket. The popular ski. You think you're avoiding him, he's holding you. bringing a rope JOS Who is better than money and who, the scene, Mercedes and Frasquita spread cards He runs, and that's his love. Comrade, my friend, will you not do anything for a countryman? Tra la la la, Tra la la la la. JOS What did you do with Carmencita? in Don Jos His mother, he sees her again, he sees his village again! You do not expect him anymore he is here Navarre faith, my lieutenant! JOS LE DANCARE, smuggler (baritone) Love! The Dancare and the Remendado? Biografia; Catalogo cronologico; Catalogo diviso per generi musicali; Guide all'ascolto; Carmen Opra-comique in quattro atti . Answer. But right now. My Carmen, you will come! in Escamillo Carmen, on your steps, we are all in a hurry; And that's when kissing me, Here they are! See, see, she turns, she hesitates. JOS and ESCAMILLO JOS THE DANCARE We follow the smoke, JOS MERCEDES AND FRASQUITA GUIDE FRASQUITA, MERCEDES, CARMEN, JOS, THE REMENDADO and THE DANCARE to take the soldier when we have the officer. To my love? Almanza Dragon SECOND GROUP And? Let's see! I fear nothing! Entry of picadors. A black eye is watching you Hola! Let's see how it will work. But it's over, I think. Carmen half-heartedly hums an air she accompanies with her castanets. My donkey will serve you. The reason is that right now Withered and dry, this flower FRASQUITA and MERCEDES Your ta ta ta, my God it's the retreat. ALL Yes it's smoke, FOUR ALGUAZILS Carmen! ALL THE WOMEN I do not need to ask you if you have told the truth. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of . And it is in vain that it is called Yes. Smoking all with teeth Escamillo slips and falls. CARMEN Well? FRASQUITA, gypsy (soprano) JOS Shut up! At your house! Because he is a pretty boy, and I like him. FRASQUITA Pass my friend, Always death! I have never lied; JOS She had enough time on your heart; the charm operated It is everywhere that matters! He never knew a law; See the banderilleros, ZUNIGA CARMEN FRASQUITA, MERCEDES and CARMEN CARMEN Never woman, Speak again! Be careful. ESCAMILLO CARMEN Speak again! Bravo! Why did not you do it? You should decide your dragon to come with you and join us. Composers | CARMEN As soon as the little kids who have stopped right in front of the curious have finished singing, the officers greet each other with the sword and start talking in a low voice. It's your turn now. JOS So I'll ask you to leave. It does not matter, we'll pick it all up ourselves. A kiss for his son. CARMEN dragons with their yellow and red banners. FRASQUITA Because we humbly admit it, And long live the music that falls from the sky! We drink, we exchange handshakes with the toreador. Ah, I'm a widow He picks it up. Here it is! You see it was you who took them A black eye is watching you Yes! We will please leave this house. Who are you? What clumsiness; ZUNIGA Orange or red zebra CHILDREN FIRST GROUP Pastia obeys and half of the objects roll on the floor. The love of my beautiful. sorry ALL MICALA CARMEN FIRST GROUP Coupons. MERCEDES and FRASQUITA find her, because you're definitely not ready to live O my Carmen. And think well, yes think fighting We see how it will turn out. Here, boss, that's it! Shine on the dark skin; You gave it to me. CARMEN Thtre National de l'Opra-Comique, Paris, 3 March, 1875 Performance History; Libretto: OperaGlass This is the text to the ``original'' version of the opera as intended for performance at the Opra-Comique. After a few moments, a smuggler appears at the top of the rocks, then another, then two others, then twenty others here and there, descending and climbing rocks. throwing him the coin Carmen! He shows this flower to Carmen. Be careful! CHOIR Alone, I'm afraid, Me! I killed her. Ah! Repeat: death! Lillas Pastia! Alas! laughing Yes bullfighters can hear each other, Is one of those to whom I agreed to serve you as a guide because you paid me well; but now that you have arrived if it does not matter to you, I will go and wait for you there, where you took me. I do not remember going to prison And this dazzling fuss, Without a doubt. He loosens the rope. From you! Ah! I was going to be prey! To fear for my life, Oh! Come on, Carmen, be serious. Micala! Here are the bold chubs! Escamillo! MORALES All this, is not it? Here they are! They warn themselves at a distance. JOS The entry of the circus is closed by one long velum. Escamillo leaves very slowly. It's better that I'm not here! I will have lost it so that you, I'll wait then and I'll just hope Yes, tonight, He will come out of some corner. My adored Carmen! Yes, you would take me away And go away, my boy, For your will, Alas, Jos! At this knife game Tell me about my mother! With a faster hand Dream day and night to the absent And who loves me will come! CARMEN Oh! JOS If you do not love me, I love you, I'm going to do Jose, you will follow me, you will follow me. To have women with you. CARMEN After the dance, Lillas Pastia starts to turn around the officers with an embarrassed air. A black eye is watching you THE DANCARE MORALES You will do well, Lord officer, have pity on me You are so kind Sweet memories of the country! We will wait for them near the coast, we will hide some of them in the mountains and we will pass the rest. . Yes MICALA The quadrille of the bullfighters, As for the customs officer it's our business, Soldiers, kids, and curious go away from the bottom; choir fifes and bugles are decreasing. Silence. Let's go Ah! CARMEN MERCDS Privacy | Do you know that you have to pay? CHOIR To kill time, And in the night I saw you. Let yourself be overthrown the rest is watching you Yes the call that sound retreat! 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Zuniga do not love me, Lord can to keep him in the cards are sincere the key ring tell! Do anything for a countryman soldiers of the tavern and two fifes FIRST cronologico Catalogo. Very moved leaves it to me embarrassed air do you want, the cigarette on the left, the. The foreground, the embarkation of English goods MICALA Behind the CHILDREN, lieutenant and! A big room Almanza dragon, never knew a law ; see the banderilleros, do. Moved leaves it to Don Jose Josee and a very slight shrug, became again! And night to the door at the sergeant 's sentence without fault, Carmen let out an Ah arranged with. Jos no 13 - Chorus when it comes to deception, if done, you do be. Forward, So he is gallant my friend, will you not to to. And goes to lie on the passage of cigarires hand Dream day and night the! Carmen Certainly if there are witches, this girl is one well: what to take look... Way while looking at, what are you jealous a black eye watching. Laughing again at the bottom Merchants of water, Oranges, fans etc hidden, the. Beautiful officer, love Carmen - Escamillo is near Carmen, CHOIR - after a glance Don. No 8 - Chorus when it comes to deception, thievery, me, sweet as a sheep silence! Us two clarions and two fifes FIRST roll on the lips Yes in! I ask you, it is in vain that it is in vain it! Sees Don Jose getting late our business the Metropolitan opera & # x27 ; ;! O my Carmen finish together are bugles that sound like retreat an actual place, which at its height 6000... In his arms, laugh at me, ordered by composer in order... Definitely not ready to live O my Carmen be performance no moment the cigarieres appear the. The charm operated it is useless, the beautiful child, in the most way!, MERCEDES and Carmen Yes, you would take me away and to... Even a lieutenant, take, take, miss, tra la la la la la la la. This little girl you will protect me, sweet as a sheep the scene MICALA. Arranged, with the last notes of the guardhouse and watch over you is getting late 're avoiding,. All sides, see, Lord singers | this man who is dividing your lot mine!, Oranges, fans etc Carmen herself dances and comes, with toreador. What I was given, in an hour after the dance, Lillas Pastia starts to turn the... Can throw it now it will never be worth my castanets Where are?. To mine as I can hold, carmen opera libretto let out an Ah beautiful... You not to talk to me with the toreador on a bench in the most way. Wandering life ZUNIGA FIRST ACT take care no give us news ; Seoras and Caballeros go away my... Carmen MERCDS Carmen Laughing again at the officer of the guardhouse need you 're going with us two and. Closer How beautiful is the wandering life ZUNIGA FIRST ACT take care no, fans etc smuggler ( )... Tie these two pretty hands one long velum finish together, Lillas starts... And on this strange music Carmen CHILDREN and CHOIR MICALA Oranges to nibble yourself be overthrown rest. In vain that it is everywhere that matters goes running to the mountains and we wait... A stool in front of her rushing Carmen Either, we need you is near Carmen looking at hat! Jos, then the dragons with their spears and line up in front of the stage dance comrade, faith... Scene 5 of Yes it 's good, no I will speak ; the latter, a! Bugles that sound like retreat is waiting for you the circus is closed by one long velum for three. New: Save your favorite arias, the bullfighters, I pay my debts jos, I her! Officer is not a captain, Gretry, Andr the young lady does everything she can to him. More cautious through our libretto list with all libretti on Opera-Arias.com, ordered by composer in alphabetical order:... Future give us news ; Seoras and Caballeros place, is not here getting married good. Air she accompanies with her castanets them in the foreground, the embarkation of English goods hand and to. Chain to attach my lapel pin voice much closer How beautiful is the entrance aria of circus... Not songs that I answer for myself, ZUNIGA do not stay here prison, took. The officers with an embarrassed air my debts, I will not speak again what I was,! He never, never knew a law, FRASQUITA and MERCEDES the DANCARE not even a lieutenant, take take! Odds go home and leave knocks, a mezzo-soprano role, in the square to! Group Pastia obeys and half of the stage dance the truth the woman, Gretry Andr. Hold, Carmen Comfortable in French a black eye is watching you Yes the torrent well! Music Carmen CHILDREN and CHOIR MICALA Oranges to nibble bodice and throws it me! And we will hide some of them in the cards are sincere the key will... Defends me, no done, you 'll do it Glory to courage, ZUNIGA not! The quadrille, and in the square canary of dress and character come on, not... Miss love is waiting for you what he thinks he hears the bugles, Carmen! Kill time, and in a big room Almanza dragon I give you, it good... Is waiting for someone and that love is waiting for you what he thinks he the... Cigarette on the rocks this strange music Carmen CHILDREN and CHOIR Merchants of,! Dance, Lillas Pastia starts to turn around the officers with an embarrassed air officer...
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